Factors to Consider When Choosing a Stretcher or Strainer

The artist is unknown, but the painting has great sentimental value as a family heirloom and a mysterious one, at that! On inspection, I found a number of issues including lifting and flaking paint media, heavy soiling, punctures and tears, canvas buckling and slack. The top left corner had buckled and as you can see in this photo, a stretcher mark had appeared across the top of the artwork. The oil on canvas after removing the frame; note the stretcher marks caused by the flat stretcher bars. Caused by flat stretcher bars coming in contact with the canvas, a stretcher mark is characterized by cracks in the paint. The worst and most visible damage happens right at the innermost edge of the stretcher bar. A canvas might also touch the stretcher bar if the tension is not maintained over the life of the painting. Artists who use flat stock lumber to construct their own stretcher bars might also make the mistake of not adding a bevel. In fact, the paint surface was cracked at the stretcher edge around the entire painting. Canvas buckling caused by the use of a flat frame lacking keyable corners.

What Can You Learn from the Back of a Painting?

Quality Hand made. We are back at the workshop and open for business. You can still come to the workshop to drop off or collect work, if possible please arrange before hand. We would prefer you not to just turn up and wander in as before, sorry. We will arrange with you and leave outside for you to bring in.

to Make Your Own Stretcher Bars for a Stretched Canvas Painting How to Gift/ Anniversary Gift/ First Dance Lyrics/ Vows/ Wedding Date DOUBLE MAT (8×8).

But a recent purchase of the product in this case, Liquitex left me with the feeling that the formulation or something had changed. I now had much more trouble sanding it down to the precise surface texture I wanted; it was like sanding rubber. So I decided to try gluing a fine, smooth canvas to the hardboard panels instead. Panel stretchers are actually pretty simple: you build a braced panel, and then stretch your canvas over it.

To make one, you can either fire up your carpentry skills and build a braced wood panel support, or you can assemble a set of commercially available stretcher bars, and attach a piece of quarter-inch thick plywood cut to size of course , using headless brads. I took a slightly different approach. The resulting panel is lightweight but still very strong and rigid. The stretcher bars are assembled and a piece of Gator board has been cut to fit.

From the front, the finished panel stretcher looks like any other stretched canvas. From the back, the white Gator board is visible instead of the unprimed canvas back. Your email address will never be shared, I promise! What to do?


This application is a continuation, of application Ser. In the field of art, especially of painting, artists frequently work on large-sized grounds. These are conventionally in the form of canvas which is tension-mounted on stretchers. Occasionally, other ground materials such as wood or cardboard blocks and the like are also used.

Heavier, sturdier & great stretcher bars for larger works! The BEST Heavy-Duty Stretcher Bar is made of pine that has been finger spliced. Perfect for gallery.

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Made in the USA. Kit includes plastic sheeting, white cotton canvas, black non-toxic washable paint, disposable slippers, body scrubber. Add an additional DIY dimension to the experience by stretching the completed painting yourself with the canvas stretcher kit.

Artist Stretchers

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A glossary of art terms related to the painting of Johannes Vermeer and Dutch painting of The picture was removed from the stretcher and laid on a flat surface. the painters of a single country, regardless of date such as “the Dutch School.

The information presented on the Paintings Conservation Wiki is the opinion of the contributors and does not imply endorsement or approval, or recommendation of any treatments, methods, or techniques described. Compiler : Barbara A. The remarkable success of canvas painting supports from the 16th century onward likely owes much to the development of lightweight stretchers.

Since their introduction, the design and construction of stretchers 1 have continued to evolve. Early stretcher designs had fixed joints, often a mortise and tenon or lapped construction secured with wooden pegs or nails. Stretchers with expandable joints appeared by the mid th century with the introduction of the key. Some of the early keyed designs were problematic: single-key constructions produced uneven tensions, and keys were easily lost from open notches.

This led to the development of the two-key design with grooves to better secure the keys.


Fundamentally, a stretcher bar is usually made of timber, and shaped in a particular way. It is designed to have canvas stretched over it. It’s actually surprising how many options are available.

1. WO – STRETCHER FRAME FOR AN ARTIST’S PAINTING CANVAS. Publication Number WO// Publication Date

You can learn a lot by looking at the back of a painting. In fact, some of the most important and revealing information about a work of art is not visible from the front. But what, exactly, can you learn from the different markings, stamps, labels, and inscriptions hidden on the back of a work of art? Originally colored off-white or beige, a canvas will darken as decades pass.

When checking the back of a painting, compare it with other examples to get an idea of how much yellow color has come into the canvas. Also check for a layer of patina or grime on the back surface. Cracks and discoloration on either side are signs the painting has aged. Oil on canvas, framed. Reverse: Restoration labels. Dated labels give researchers an idea of when the artist started the painting, and can even lead to knowledge of how much money the artist spent to purchase the canvas!

Image: Frederic Taubes American, , Quartet.

Stretcher Keys – How to use them

Imitation oil paintings with misleading paper labels on period-looking frames have been fooling lots of buyers recently. The paper labels prominently feature London, Amsterdam, Paris and other European cities. Thick gold finished frames are heavy and highly decorated. The mostly Victorian subjects appear to be painted in thick oils applied in a heavy texture. The truth is that these pieces are not paintings at all but specially altered paper prints made on modern printing presses.

They don’t come from Europe but from reproduction wholesalers who have them manufactured in Indonesia.

The reverse side of a canvas could tell you more than the painting itself. So, if you see a reported 16–17–18 century canvas on stretchers with keys that date of the procedure — be it a century ago or a recent intervention).

Art Introduction to Painting Assignment: Make your own stretcher and painting from scratch. We are going to make a painting, start to finish. That means we will build our own stretchers, stretch the canvas, and then make the painting. The tools that you will need are in the sculpture department, and some are in the prop room. The school will supply everything except wood, canvas, and gesso. Please note that there is class in the sculpture studios on MW a.

Please do not interrupt other classes and be sure to clean up after yourself. This assignment will be graded on the following criteria: The craftsmanship of the overall painting. Is the painting well stretched? Do the corners line up? Is the painting flush to the wall? How have you addressed the form? How have you used space? Are you utilizing light to organize and structure both the form and the space?

Curtis Buchanan – 20. Measuring for the Stretchers